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| The hands of Fatima, and some other stuff! |
It has always been a dream of mine, to perform in Europe. My studies always kept me in North America, and I never got to one of those European summer programs, so the idea that music, or serious music lives a fuller, better appreciated life here, that it
belongs here, has always lived in me. And I still believe it. Sue and I felt that when we heard the Concertgebouw Orchestra in March: We felt at home because the music was at home!
So needless to say I was pretty chuffed last week to get to play music here, twice in a single weekend!
A few months ago I introduced myself by email, to
Heddy Boubaker through a shared improviser friend from Quebec. My plan was to get a couple of shows, (this trip wasn't about music it was about experience!) meet some people and hopefully pave the way for some more concerts in the future. Heddy invited me to play at his series in Labarthe sur Leze, with a French percussionist Toma Gouband. I was very excited to meet both these guys. In London I had a lovely experience, but I knew this would be quite different.
And it was! La Maison Peinte is Heddy's house. Each month he hosts a show, in his living room, people are encouraged to bring some food, and no admission is charged (although a collection is actively done for the musicians). Many on Europe's improvisers have passed through, yet it still remains accessible to lesser knowns, like myself. There are "no" costs, a regular audience and zero financial risk for the presenter. Perfect conditions for improvised music, and guys like me!
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| Norm in Maison Peinte by Jer Lacoste |
The venue is like no other. Every inch of wall on the main floor has been covered with some sort of art, object or construction: There are dolls (lots of dolls) hanging, stacked and strung, there is a mobile section, a Chinese lantern section, a "hand of fatima" section. There is collage, paint (very thick paint on the cupboards doors: like a relief map!) glued paper weights, little hats....I could go on but I think my brain stopped processing visual stimulation after an hour of looking around! The audience sat on teh floor and in chairs, they were about 25 in number: young and old hippies, little kids, guys in suit jackets, women, and other musicians. It was a beautiful cross section. Just the way I imagined a European music audience! The music was made up of Tom playing a solo, (Toma plays stones placed on drums and cymbals. He strikes them in very precise ways with various natural implements rocks, branches, pine cones etc. and make a broad variety of very controlled, very conscious sound and pitch. Sue said it sounded like a prepared piano!) me playing solo and a trio with Heddy, who played analog synthesizer and viola. It was very interesting, as these situations, where you don't really know the others, can be. It was a negotiation, a handshake and a debate, a meeting of sounds and minds, and of course a meeting of cooperation and listening (they aren't always but this one was!) Afterward the performers and audience had couscous. I talked with some of the audience, the hippy kids seemed most open to talking to me, probably because they had a bit of English (my French was in full force this past weekend believe me, I was pretty proud of myself!). Sue and I were the first to leave, but I had a feeling the party was far from over! I'm sorry to have not been able to stay longer.
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| In Sarrant, with Laurent and Sophie |
Sunday was dancer day - I've told you about my meeting with Sophie Cournede of Sarrand in a previous posting, but I was very excited to work more with her and to meet
Laurent Paris, a local percussionist both Sophie and Heddy had said nice things about. This concert was very different of course, because of the movement, but also because I had met Sophie a few days before. Laurent and I struck up an immediate chemistry I thought. So the situation seemed far less foreign and we had a nice time playing together. Not to say that I knew what to expect, though! Sophie is very influenced by
Butoh dance and I saw some of that in our first session together, but much more of it in this concert! There was makeup, and a costume and lots of roses, with petals being tossed about. It was quite different that what I expected, so I had to negotiate a new kind of playing. Luckily, Sophie and Laurent have worked a lot together, so it was easier to slide into their groove a bit before trying to do any pushing! But the atmosphere was nice, much of the village was there (the cabinet maker, the bookstore owner, the lady from down the road) and probably some others (not that many people live in Sarrant!) totalling another 25!
This concert showed a work in progress. I don't think it met my expectations, but showed great promise for a future meeting, where I think we could really establish something. The best part of the show was afterward when we drank wine and talked about the work, and relished our new friendship. They were both so happy to play with me, and I was so happy to have played with them!
I'm sure that I can come back here, to make more music. And I'm sure that the friendships I've made can lead to more work, more music, and even closer ties to this part of France that I love so much!
And I fulfilled a dream, and the dream was all I could have hoped for: not just making music here, but meeting musicians and artists here, and making friends and forming ties here that can grow and continue! I'll be back.